Dance of the French Baroque Theatre - Part 1 - Digital Download

$ 14.95

Dance of the French Baroque Theatre - Part 1 - Digital Download

Acclaimed Baroque Dancers Paige Whitley-Bauguess and Thomas Baird are joined by musicians of the Baroque Arts Project on period instruments for this captivating discussion and performance of Baroque Theatre Dances composed by the preeminent French Dancing Masters working in France and England during the early 1700s.

“ their solos and duets, Mr. Baird and Ms. Whitley-Bauguess provided a
fascinating sampling of baroque choreography...”

The Dancing Times of London

Part One: 41:02

Pastoral Dances

  • Entrée pour un homme et une femme (Pécour: c. 1713, Lully: Thésée) - 2:08
  • Pastoral performed by a Gentleman (L’Abbé: c. 1725, Paisible) - 4:31
  • Entrée pour un Berger et une Bergere (Pécour: c. 1713, Marais: Pièces de Violes) - 8:03
  • Menuet performd’ by Mrs. Santlow (L’Abbé: c. 1725, Anon.) - 10:56
  • Entrée d’un pastre et d’une pastourelle (Pécour: c. 1713, Marais: Sémélé) - 14:32

Spanish Entrées (Campra: L’Europe Galante)

  • Entrée Espagnolle pour une femme (Pécour: 1704) - 17:25
  • Entreé D Espagnol de Mr feuillet (Feuillet: ms.) - 20:28
  • Entrée Espagnolle pour un homme et une femme (Pécour: 1704) - 23:40

Türkish Dance (L’Abbé: c. 1725, Campra: L’Europe Galante) - 26:09

Theatre Solos

  • Sarabande de Mr. de Beauchamp (Beauchamp: ms.) - 31:20
  • Gigue pour une femme (Pécour: c. 1713, Marais & L. Lully: Alcide) - 36:54

Julie Andrijeski & Annie Loud, baroque violin
John Pruett & John B. O’Brien, baroque viola
Patricia Halverson, viola da gamba
Scott Pauley, theorbo & baroque guitar
John B. O’Brien, harpsichord
Lance Pedigo, percussion

Paige Whitley-Bauguess, producer
Stuart Grasberg, director/videographer
Randy Fulp, videographer/audio recording
Terry Bishop, lighting designer
Barry Bauguess, audio mixing
Digital Download with Newly Updated Graphics - 2020

3.09 GB - 41:02 minutes
*Please note the download file is large and may take a while.*

©2005 & 2020 by Paige Whitley-Bauguess

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